CreativeMarket - Customizable Brand Template Pack 2737792

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Watercolor animals

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Wedding Vector Calligraphy

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Tropical Design Graphics Bundle

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Neco Font Family - 8 Fonts

Neco is a family of serif fonts, designed for use in headlines as well as smaller-sized texts of short and medium length. The fonts’ serifs have been designed with chunky, prominent wedge-shaped forms. The letterforms feature a diagonal axis of stress. As a family, Neco includes four weights, ranging from Regular through Black. Each weight has an upright and an italic font on offer. Neco’s letterforms have a high amount of stroke contrast, and the degree of contrast really increases from weight to weight. The Black and Black Italic fonts are particularly dynamic, in terms of their appearance. Neco’s lowercase letters have a tall x-height, and their ascenders rise up above the height of the fonts’ capitals. The letterforms in the Italic fonts are not oblique versions of the upright’s glyphs, but true cursive forms. The default numeral style in each font is proportional oldstyle figures, but tabular figures, lining figures, small cap figures, as well as a full range of numerators and denominators for typesetting fractions are in the character set as well. There are also several f-ligatures, substituted into the text by the fonts’ OpenType features. Neco is an excellent choice for use in editorial design, or for typesetting invitations and event-graphics. The fonts were designed by Jitka Jane?ková.

Passenger Serif Font Family - 14 Fonts

Passenger Serif is a Clarendon-style font family designed for use in long passages of text intended for immersive reading. It takes the idea of mid-nineteenth century English Clarendon types – like vertical axes of stress, lots of ball terminals, and chunky bracketed-serifs – and channels them into a face that is very legible in small sizes. It is comfortable to read, too. Passenger Serif is ready for use in editorial design, and for body text in novels and other books, too. The family includes seven weights, ranging in style from Extralight through Extrabold. Each weight has both an upright font and an italic on offer. The fonts’ default numerals are proportionally-spaced lining figures. Via the OpenType features, there are also oldstyle figures and tabular figures available, as well as a full range of numerators and denominators for typesetting fractions. The ascenders of the lowercase letters rise up above the tops of the capitals. In the upright fonts, the ‘a’ and the ‘g’ are double-storied. In the italics, they are single-storied. Each font includes 13 f-ligatures. Passenger Serif has a companion typeface available for larger-sized applications: Passenger Serif Display. Passenger Serif and Passenger Serif Display can be used together to powerful effect in magazine layouts, or in exhibition design graphics. The Passenger Serif families were designed by Diana Ovezea and Samo A?ko.

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Aktura Font

Aktura is a medieval-style blackletter font. Its lowercase letters are a new digital/calligraphic take on traditional ‘gothic’ or textura-style forms. They look very much like the kinds of letters used on a lot of newspaper nameplates, or for certificate and diploma designs. Aktura’s uppercase is much more ornate; you could call the letters ‘lombardic’ capitals. Since gothic letterforms, historically speaking, were something of a unicase writing system – they were only really paired with matching caps after printing came along in the 15th century – Aktura reaches back to an occasional form of style-mixing practiced in the past, in which lombardic caps were used as the uppercase forms for gothic lowercase letters. The lombardic caps are so elaborate that they should almost never be used to set all-caps text; however, if you apply a lot of tracking, you might be able to get away with this for a logo, or in a headline that is about three-words-long. They will work just fine when they are used as presented in this font: as uppercase letters for otherwise mixed-case text. Aktura’s lombardic caps are a bit more calligraphic and playful than lombardic caps you might find in fonts based on more-specific historical source material. Like all ornamental capitals, Aktura’s uppercase can also be used as drop caps or initial letters for body text set in an otherwise completely different font, especially if that other font is a serif typeface, good for setting long passages of text.